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Think of your brand as the next Netflix.
Thanks to advances in technology, you have the ability to be your own media outlet, sharing your story directly with your customers anywhere in the world using video.
It is important to think of your brand as a media outlet. Thanks to technology and social media, you are, or rather you can be, your own media outlet. You can achieve anything with a little imagination, creativity, initiative and modest investment in telling your own story.
Today, you can share your story directly with your audience, completely unfiltered. That is why I formed StorySMART Creative Social Media, to help brands share their story creatively. To connect with your customers, you can use approaches like brand journalism, brand engagement, heritage storytelling and brand entertainment.
Brand entertainment offers a wonderful opportunity for creative storytellers to be just like Netflix. You have the ability to create original programing or story content. You can stream that story content to an audience anywhere in the world on virtually any device.
Think about that for a second.
The barrier to entry to offer original storytelling is lower than it has ever been in the history of the world. Since the dawn of humankind it has never been easier to reach your fellow humans with a story.
Sure, when we were cave dwellers you could tell a story by the campfire or draw some pictures on your cave wall, but you couldn’t reach all the other cave people now could you?
When the printing press came along, that helped with disseminating information to a large mass audience. Film and broadcast were big leaps also. No question about it.
But today, you can literally go global very quickly and inexpensively.
Just the fact that I’m using Netflix as an example of a media outlet for this article is very telling.
It wasn’t that long ago that Netflix was a mail delivery service for video tapes and DVDs. If you wanted to watch a movie, they delivered it to your home. It was a convenience and value driven business. They were not anything close to being a “media outlet”. Then things changed. There was a time when people said Netflix was dead. Sell their stock. Netflix is dead. I remember those headlines. It wasn’t that long ago.
Then Netflix went all in with streaming and the universe changed. Suddenly Netflix was a way to watch programming like movies and TV shows.
Binge watching became a thing. We have Netflix to thank for that.
Appointment television is quickly becoming an endangered species. I remember hurrying home to watch Seinfeld, Friends and ER on Thursday nights. It was appointment TV.
But that was then. This is now.
Now I get mad when TV shows come out weekly. Are you kidding me? I am supposed to wait week after week to see how a story unfolds?! Really?! How 1990s.
I don’t know about you, but I tend to wait for services like Showtime and HBO to release all their episodes before I start watching. I want to watch on my own terms and on my own time.
I want to binge watch.
While Netflix started by being a place you could watch movies and old TV shows, they quickly started creating original programming.
House of Cards was born thanks to St. Louis native, playwright and screenwriter, Beau Willimon (#STLMade). Beau and Netflix helped redefine the definition of television. At that time in 2012 when Netflix introduced House of Cards, I was working in PR for the St. Louis Cardinals.
I was so blown away by the paradigm shift underway in television that I could see that the St. Louis Cardinals had the capacity to be a media outlet. In many respects, we already were. For generations, we had been investing in telling our own story one pitch at a time with radio, then television, and now social media.
I saw that we could create our own programing if we wanted to and we could build an audience. Any big brand or small brand could do it. At that time, the Cardinals had 13 million people going to the team’s website during the baseball season. That is a massive potential audience. If we wanted to come up with programing, we had the ability to reach a whole lot of people. We were a household name in our market and beyond.
I was enamored with this idea of brand entertainment. Creating entertaining storytelling under your brand umbrella that promotes your brand. Look no further than the Lego movies for the ultimate example of brand storytelling. It is creative storytelling that sells a whole bunch of Legos. In the Watermon household, we have bought a lot of Legos over the years. We have also bought movie tickets to see the film, and heck we have streamed the same film numerous times at home on our Roku, and we have even watched the series. If you have a nine year old at home, you are probably familiar with Ninjago.
Our relationship with our favorite sports teams is similar. We buy the gear, watch them on TV, buy tickets to games etc. It is a beautiful brand cycle or ecosystem, very much fueled by entertainment value and the core story behind the brand.
It was around this time in 2012 when I first started subscribing to Netflix that I created Project NestFlix for the St. Louis Cardinals. It was my tip of the cap to Netflix and their House of Cards. I figured our House of Cards, the St. Louis Cardinals, could create some fun entertaining content too.
I wrote a script entitled #TheFrontOffice, which was a parody of the TV show The Office. With the help of a friend, Jessica Radloff, we were able to convince Phyllis Smith, one of the stars of the hit TV show, to help us put together what would end being the first-of-its-kind serial video series on Instagram that told a story with 15 second “episodes”.
I am fairly confident that we were the first organization to try to tell a serial story using Instagram video’s new video application. We produced our series within weeks of Instagram adding video functionality. It was a lot of fun. I was also very entertaining.
The series was a parody of the TV show the Office where Phyllis Smith wonders what it would be like to go to work for the St. Louis Cardinals.
Phyllis shares an office with Fredbird, the team’s mascot. From that jumping off point it becomes a story of two rivals, Fredbird and the Rally squirrel. As far as the core plotline: think Bob from Account Temps with a little Tonya Harding thrown in for good measure. Cardinals players, front office executives, others in our community (ex. Mayor, each local TV station), and celebrities like Andy Cohen all had starring roles.
You can watch the entire series on Instagram by using hashtag (#theFrontOffice). I promise you will find it entertaining.
I’ll never forget the reporter who covered the story about our series. Gail Pennington was the TV critic for the St. Louis Post-Dispatch. It took her awhile to wrap her head around the idea that this was a TV series. I don’t think she ever got there. She was old school. She couldn’t accept the idea that streaming was TV.
When she interviewed me, she was complaining about the newspaper making her download a video app to her phone that would enable her to do quick video news stories. She said every reporter at the paper was told they had to download it. Needless to say, I was so excited when told me this. I had to get the app. I downloaded the Videolicious app that same night.
You could do quick little stories fast and easy with this marvelous little app. I owe her a big thanks for helping revolutionize my world and helping usher in a new era of brand journalism for the St. Louis Cardinals.
Your brand can tell a story too.
Brand entertainment has been around for a really long time. It is essentially marketing via the creation of content that is funded or produced by a brand. In contrast with content marketing and product placement where advertisers pay to have their brands incorporated into TV shows and movies, brand entertainment is the story itself created by the brand. The story is designed to entertain while also building awareness for the brand.
Okay so what does that mean for you and your brand?
You don’t need a big Hollywood studio to greenlight a project today. You just need imagination and initiative.
You can do something silly or fun, serious or otherwise and offer it to your audience. The barrier to entry is minimal. You could shoot an entire movie with an iPhone and modest budget.
I’m sharing two silly videos my son Charlie and I did to help make my point to you and give you inspiration, while also promoting my StorySMART startup.
Your brand has the capacity to be its own media outlet, sharing your authentic story directly, unfiltered with your customers. You can offer entertaining storytelling just like Netflix, Hulu, Amazon Prime, the St. Louis Cardinals or StorySMART Creative Social Media, LLC.
It is your brand and your story. Take ownership of it. Be creative. #getstorysmart
STORYSMART® empowers public figures, mission-driven organizations, and anyone who has an amazing story to have their story produced by professional filmmakers while controlling their intellectual property rights.
STORYSMART® redefines the typical Hollywood production model by partnering with clients, allowing them to benefit equitably along with creators as they collaborate to maximize the value of their unique story.
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All Rights Reserved | STORYSMART® LLC
All Rights Reserved | STORYSMART® LLC