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September 28, 2022 – St. Louis, MO - As a celebrity, should you own or rent your story?
As a famous, highly accomplished individual you have a set of unique considerations to make in vetting that foundational question when it comes time to share your story.
This blog is a companion to our last post entitled Should I Own or Rent My Story?
We will go a little deeper into the key considerations a celebrity should make when deciding to share their story on screen with a movie, TV show or other on-screen project (ex. NFT collectibles).
When we say celebrity, we are using that in the most inclusive way possible. A celebrity includes anyone who is highly accomplished within their own field and has a level of notoriety that enables them to reach a significant audience that only an elite few others can expect to reach.
This group includes current or past professional athletes, actors, musicians, entrepreneurs, elected officials, and other famous people within their own field.
Fame or notoriety is relative. You may be famous with one cohort but not others. As I age, I’ve come to appreciate this fact. Being a parent of a 12 year old helps me realize this even more. If you ask me and my son Charlie to list 10 famous people we want to meet, I suspect we wouldn’t have many common names on that list. And we wouldn’t recognize names on the other’s list.
Fame is relative. For example, I love jazz. A jazz musician may be wildly popular with someone like myself but be able to go the grocery store or walk down the street with a level of anonymity that I also enjoy.
I am grateful that no one is coming up to me for a selfie or autograph.
For our purposes, a “celebrity” is also an individual who may want to control their brand narrative and has a legacy “brand” they want to hand off to their family. They may have a level of celebrity that affords them the chance to pass some level of wealth to their family and might enable them to continue to profit down the road.
Elvis and Michael Jackson are examples of this. They continue to generate wealth for their families (estates and heirs) long after they performed their last song.
If there is a market for your autograph or you get paid well to speak to groups, there is a chance that there is a market for your book or documentary.
If that is the case with you, then your decision to own or rent your story is similar to the rest of us, but with more profound IP, brand narrative and economic considerations.
The reality is that there is always a strong market for a good film, just as there is for a good book. Turning your raw clay of a story into a beautiful masterpiece people will pay to see involves a lot of variables.
That said, your decision to share your story starts with the foundational question of owning or renting?
When we say own your story, we are talking about taking responsibility for bringing it to the screen, shaping what is included in the story, and owning the intellectual property rights on it. That is a lot of work. And to do it right, it will cost money.
There is a reason “show business” has grown into a huge industry. It is both show and business. There are key practices that increase the likelihood of success, but they all involve a level of work an amateur is unlikely to succeed with their first time.
This is why many celebrities go the rental route.
When we say rent your story, someone else is doing the storytelling work. They are spending the money to tell your story and they are profiting from it. They also decide the content and direction of the story. This is the typical model for most celebrities.
Let me share some specific examples.
If you are an athlete, maybe ESPN wants to do a 30 for 30 Documentary about you. Like any traditional media outlet, they are a business that makes money by telling stories. As evidence of this fact, here is the link to the complete 30 for 30 librarywhere you can rent their stories.
I put this in the “rent” your story bucket. Why wouldn’t an athlete want them to tell their story?
If ESPN came to me to do a 30 for 30 about that walk-off grand slam home run I had in kickball in 4th grade, let’s just say I wouldn’t quibble over my copyright and my NFT collectibles NIL rights.
That game at recess at St. Bridget’s school was the highlight of my inspiring athletic career, so I would welcome that story being brought into the homes of others. If I could be an inspiration to children around the world, it would be selfish for me to hold out for my big payday.
Hopefully it will be a positive portrayal of my story. Claims that I was stealing signs from the other team are completely without merit. My memories of that play are as vivid today as they were the day it happened. I could see the spin of the ball as it was leaving the pitcher’s hand. It was legit through and through.
Now, if I was concerned that ESPN would “fake news it” and tarnish my otherwise stelar reputation as a kickballer, then maybe I would feel differently. I might not want to talk to them if I thought they would tarnish my reputation and scratch at any old wounds.
Perhaps if I was selling my own merchandise or had a pathway to produce and monetize my story otherwise then I might feel differently. If I was making my living on this past event and built some notoriety within the kickball community, I might opt against the rental route and try to bring my own story to the screen.
Like anyone else, I would like to leave my family with some level of wealth when I die.
While that doesn’t look particularly promising at the moment as the founder of fledgling bootstrap startup, you never know where this STORYSMART thing will lead with the right stick-to-it-ness coupled with those periodic investments in Powerball.
I have a dream that one of our client projects will win best picture in my lifetime. That would be my big wildest dream about how STORYSMART could play out. We help someone own and tell their story in a beautiful way on the big screen. And they own it.
Nothing will make me happier then when we get a shout out for our help as they hold that Oscar statue over their head. That would be pretty cool.
Now, my Oscar fantasy is a good illustration of a wild success story of owning your story.
That is the upside of owning. You literally own it. Copyright and all. You participate in any profits, residuals, merchandising etc.
The downside to “owning” it is that you may have to fund it or assemble the investors to bring it to the screen. That could be a lot of work. Or you could pass your rights off to someone else to do it. You could rent it.
ESPN 30 for 30 spends the money on producing a beautiful documentary that they own. Sure they capture your name, image and likeness to tell the story, but they did the work and own the copyright. They make the money and residuals on it for years to come. There is nothing wrong with this business model. That model drives the multi-billion dollar show business industry today.
Walt Disney designed it that way (as did American law). The creator of a piece of artwork owns the artwork. So here is a simple way to understand it. If your name is Mona Lisa and you hire Leonardo da Vinci to paint a painting of you, he automatically owns the copyright on that painting unless you have an agreement otherwise.
If you are a celebrity, part of why you are a celebrity is because the media cover you. You may not want to bite the hand the feeds. The reality is that if they decide they want to do something in the documentary or news realm, you may not have much of choice other than to provide access or not. You are a public figure.
Rights and access are the things that we want you to be smart about. Your story may have more value than the intrinsic value or brand narrative value folks like myself might assign to our own story.
Your story may be something you can monetize.
But telling a story well with video or film can be hard. It costs money to do it right. It is real craft.
William Shakespeare’s work stands the test of time because he was a brilliant storyteller.
Here are the things you should consider are do you want to control your narrative:
·Do you want to shape what people know and remember about you?
·Do you want to benefit financially from it?
If you do want to control your narrative and benefit from any upside financially then you should own your story. Our advice is to hire the equivalent of a ghost writer to help you tell that story.
A trained storyteller like William Shakespeare will do a better job telling your story than you would doing it yourself.
That is especially true with video and motion picture storytelling. We have all seen bad movies and TV shows from very reputable production companies. It isn’t that easy to do it right. It is an artform that demands a real artist. That said, you can make it a work for hire.
If you are Mona Lisa, be STORYSMART about it by making sure you get Leonardo da Vinci to sign a work for hire agreement that gives you full rights. In short, make sure you #OwnYourStory
About STORYSMART
If you want to be remembered, share an amazing story on screen. Whether developing a brand for your business or preserving a family legacy, nothing is more powerful than a great video story.
While there are a lot of DIY apps out there to help you produce a video, no app will turn you into a great filmmaker. Telling your story well with video can be hard. You need the right skills and equipment, not to mention time, money and talent to do justice to your story.
STORYSMART helps you tell your story in the amazing way you deserve with our done-for-you premium video storytelling service. Using a nationwide network of talent, STORYSMART provides you an experienced television reporter or journalist filmmaker to tell your story professionally following our proprietary STORYSMART system.
STORYSMART provides a nationwide premium video storytelling service that empowers individuals, families, celebrities, small businesses, and other organizations to have their stories told professionally while still retaining their intellectual property rights. Learn more at getstorysmart.com
STORYSMART® empowers public figures, mission-driven organizations, and anyone who has an amazing story to have their story produced by professional filmmakers while controlling their intellectual property rights.
STORYSMART® redefines the typical Hollywood production model by partnering with clients, allowing them to benefit equitably along with creators as they collaborate to maximize the value of their unique story.
Filmmaking For ALL™
My Own Story™
Storytelling For ALL™
All Rights Reserved | STORYSMART® LLC
All Rights Reserved | STORYSMART® LLC