Urinal University

Ron Watermon • November 21, 2023

A Masters Class in Storytelling Monetization

St. Louis, MO - Thanksgiving 2023 – While I founded STORYSMART® to bring professional filmmaking storytelling to all, it is the growing work we are doing to help athletes and celebrities monetize their stories that had me thinking about this strange, but true toilet tale that dates to Thanksgiving 2005.

Like a lot of great stories, it provides important lessons.

In this case, it provided me a university level education from the esteemed Urinal University. And before you go there, no – I don’t hold a degree in Philosophy (“ to pee or not to pee, that is the question .”). Rather it is an honorary masters in storytelling, creative marketing, and monetization from the esteemed water closet institute.

This is a true story from my time in Major League Baseball.

Flush With Success: A True Toilet Tale

I spent 18 seasons with the St. Louis Cardinals, starting on September 11, 2001, to help the team with the campaign to build a new ballpark and ballpark village in downtown St. Louis.

I initially only signed on for a short stint as a freelance consultant, but by 2005 I was working full time for the team to help monetize our final season at Busch Stadium. While we had set out to build a publicly owned stadium, that wasn’t in the cards for us. Instead, we ended up privately financing the new stadium. That fact meant we had to aggressively find ways to monetize our final season as we essentially had two mortgages to juggle.

We were shameless in selling as much memorabilia as we could. Virtually everything we set our eyes on was possible memorabilia.

We literally sold the dirt. No kidding. If it wasn’t nailed down – and even if it was (like the flooring in the dugout) – we sold it.

Candidly, it was the most fun I had in my time with the team. I loved it!

We were so creative in finding ways to monetize our final season. I enjoyed working with everyone in coming up with funs ways to monetize while making memorabilia available at every price point. Our efforts ultimately gave birth the Cardinals Authentics, which is a thriving memorabilia business division for the team. Most teams in baseball now have their own versions of this business line.

During the final season in Busch II, we sold over 14,000 pairs of authenticated stadium seats. We held a salvage sale for our concessionaire equipment. We hosted a high-end auction. And the day after Thanksgiving 2005, we held Fredbird’s Garage Sale at the Convention Center in downtown St. Louis.

Unlikely Memorabilia: A Urinal From The Cardinals Clubhouse

But it in the realm of sports memorabilia, where every piece has a story to tell, one items stands out as an unlikely star – a urinal from the St. Louis Cardinals Clubhouse at Busch Stadium. We decided to offer the urinal for sale in our high-end auction hosted by Leland’s Auctions.

Turning the restroom relic into a coveted collector’s items was a master’s class in the crucial role of storytelling in sports memorabilia and how thinking outside the box was marketing genius because of the attention-grabbing role it played in fueling interest.

The decision to auction a urinal may seem eccentric, but in the case of the Busch Stadium Farewell auction, it was a stroke of marketing genius. The farewell auction aimed to commemorate the storied history of Busch Stadium while helping us monetize those memories as items made their way into the homes of fans. Among the more conventional items like autographed items and game-used equipment, the inclusion of the urinal was a nod to the everyday spaces where players spent significant parts of their careers.


The Power of Storytelling in Sports Memorabilia

Sports memorabilia is more than just a physical artifact. It is a collection of stories waiting to be told. It is a memory. It is history captured in a physical item. A baseball is just a baseball until it is tied to a great story. That insight drives so much of what we do today. It isn’t about the item. It is all about the story.

For players who hold onto memorabilia, there comes a time that they often opt to sell it. Talk to a Hall of Famer. They don’t really want the stuff. They already have the memories. It can take up a lot space and feel like clutter. They want it gone. What’s more, they’d love a pile of cash in its place since it stores much easier.

Now with STORYSMART®, we help the athlete preserve their collection digitally so they can use to tell their story. They can still sell the physical item at an auction while retaining the digital rights. That is key point. A digital item is legally distinct from the physical item. You can own both or sell one or the other. Think of a MVP award or a Gold Glove. In the scheme of the player’s story it is important. The digital proxy can work just as well as the physical item when it comes to storytelling. The digital proxy can be key to telling a player’s story (which they can also sell if they are smart about it.) or monetizing digitally in the metaverse.

Anyway, the urinal is just a urinal but for the fact that it was witness to so much – you know – history. As players came and went , the urinal stood as a silent spectator to the evolution of the team. Think of the stories that fixture could tell?


The Cardinals Marketing Genius

Enter Lelands , the renowned sports memorabilia auction house that hosted the Busch Stadium Farewell auction. The decision to include the urinal was not just a quirky choice. It was a marketing masterstroke. The Cardinals and Lelands understood that to create buzz and generate media attention, they needed something attention-grabbing and unconventional.

The PR value of their investment paid off big as the story about it’s sale made national news. It was one of ESPN’s weirdest stories of the year for 2005.

Google it now and still comes up. Nearly two decades later.

Stories that Sell: A Legendary Urinal’ s Journey

Humor aside, it’s not just about owning a piece of the stadium, it’s about connecting with the narratives that unfolded within its walls. That is why that urinal ultimately sold a local urology practice.

The lesson here is about story. The value comes from the story. The storytelling aspect elevates sports memorabilia from mere commodities to cherished relics.

During that season, we went out of our way to write up great descriptions of items when placing them in an auction or simply for sale. Dirt is just dirt unless there is a verifiable story behind it. Yes, everything was authenticated. Our authentication program would hold up well in court. The chain of custody process is akin to evidence gathering from a crime scene. Complete with a cool hologram sticker with a unique identifying number you use to look up the item. Think analog NFT.

The decision to auction a urinal wasn’t just about selling a piece of plumbing; it was about sharing a slice of the intimate world where players spent a considerable part of their professional lives. One can imagine the conversations, laughter, and shared moments this piece of porcelain silently witnessed.

The Auction’s Impact on the Sports Memorabilia Market

When the gavel finally fell, marking the end of the bidding wars, it wasn’t just a victory for the highest bidder; it was a triumph for the entire sports memorabilia market. The urinal’s final auction price surpassed expectations, selling for over $2,000, proving that the value of an item isn’t solely based on its traditional significance.

The auction generated over $900,000 in sales. The team’s ability to get serious collectors bidding against fans who were new to the memorabilia market was key to driving prices up.


Lessons in Marketing & Storytelling

The success of the urinal auction offers valuable lessons for celebrities, athletes, teams, and others looking to sell memorabilia. This toilet tale underscores the importance of thinking outside the box and leveraging the power of storytelling. By connecting items to a great story, you can create a sense of emotional attachment driving up the value of even the most mundane objects. This unconventional marketing strategy isn’t limited to sports memorabilia alone. It opens the door for exploring new and creative ways to engage your audience.

What are your thoughts on this unique piece of sports memorabilia? Have you come across other unconventional items with fascinating stories? What do you have from your collection that helps tell your story?

Are you a former professional athlete or celebrity looking to monetize your story? If you are, we can help. We have developed a line of services to help you preserve your story and make the most of it from licensing and storytelling monetization.

At STORYSMART®, we specialize in helping discerning clients with documentary filmmaking, as well as using cinematic storytelling to help market their brand online. We help individuals and organizations with storytelling they own forever. All our storytelling services are delivered as a confidential work-for-hire service, ensuring clients own the copyright on the own story. If you are interested in learning more, please schedule a FREE no obligation storytelling filmmaking consultation now.


About STORYSMART®

Nothing is more enduring than a beautiful film that brings a story alive on screen and in our hearts. Great stories demand nothing less than cinematic Hollywood-quality storytelling. STORYSMART® specializes in helping public figures such as professional athletes, entertainers, former elected officials and celebrities make the most of their story using a proprietary approach that blends Hollywood-style cinematic storytelling with museum-like collection curation and story-focused brand licensing.

STORYSMART® provides Hollywood Quality filmmaking and storytelling consulting services, functioning as a high-end work-for-hire ghostwriting service specializing in cinematic storytelling rather than being limited to traditional book publishing (hint - you can do both if your are smart about your storytelling derivative rights). STORYSMART® services range from story preservation digital archive services like those used by Oprah Winfrey, Bon Jovi and Billy Graham, to story development, screenwriting, licensing, and professional documentary filmmaking.

STORYSMART® is ideal for clients interested in controlling and monetizing their own storytelling through story-based media production, publishing, and merchandising.

Learn more about our customized white glove approach and book your FREE CONFIDENTIAL consultation at storysmart.net

Filmmaking For ALL™ My Own Story™ Storytelling For ALL™

By Ron Watermon November 1, 2025
In the digital media age, outrage is currency. Not just emotional currency, but authority, engagement, and sometimes market value. What if the anger you see bubbling up on social feeds isn’t purely organic, but instead the product of a manufactured campaign — run at industrial scale, with bots, trolls, and fake accounts fanning the flames? That’s the story behind two recent flashpoints: the Cracker Barrel logo debacle and the Charlie Kirk killing in Utah. The common thread: replay of a familiar playbook in digital influence operations. I first became aware of this issue when I oversaw social media for the St. Louis Cardinals. We were victimized by trolling that we later found out where fake accounts controlled by someone with an agenda. It happens more than you realize. It is important to understand that much of what you see online isn’t necessarily what it appears to be. I ‘ve been trying my darndest to educate my son about this troubling reality. The Playbook: From Real Trigger to Manufactured Tsunami A typical sequence: a genuine event or brand decision appears. Then somewhere in the feed, suddenly, an initial wave of harsh commentary. But this is amplified by networks of automated or semi‐automated accounts: fake profiles posting a high volume of posts, repeating identical talking points, deploying hashtags, creating the impression of a massive grassroots revolt. Humans then amplify the outrage further — natural users who treat the commentary as genuine, join in the pile-on. Media notices. The target reacts. The narrative crystalizes and people believe it as gospel. This dynamic has been studied in academic research: for example, social bots increased exposure to negative and inflammatory content during the 2017 Catalan referendum . The pattern has been labelled “ rage-farming ” — taking a benign or business decision, stripping context, and turning it into a cultural event by generating outrage. Case One: Cracker Barrel’s Rebrand (or “Crisis”) In August 2025, Cracker Barrel introduced a minimalist redesign of its iconic logo — removing the figure of the man leaning on the barrel, simplifying the brand. What followed, on social media, looked like a cultural backlash — waves of posts accusing the company of erasing “Americana,” capitulating to “woke” agendas, and provoking a boycott narrative. But data suggests the backlash was largely orchestrated. Research from PeakMetrics found that 44.5% of posts on X on the first day of the controversy were posted by “bots or likely bots” — nearly double the normal rate for brand discussions. Another analysis by Cyabra found that 21 % of the profiles attacking Cracker Barrel were fake accounts, generating 4.4 million potential views and correlating with a roughly 10.5 % drop in the chain’s stock price (≈ US$100 million in market value). In short: what may have started as a legitimate brand evolution was transformed into a crisis — arguably by actors seeking to create the appearance of consumer revolt rather than organic outrage. Pull this thread back and you’re looking at an influence operation using brand identity as knock-on effect weaponry. Case Two: The Killing of Charlie Kirk & the Disinformation Cascade Divides Us When conservative activist Charlie Kirk was killed in Utah in September 2025, the immediate social media reaction was chaotic and fast. But analysis reveals that part of the reaction to the podcaster’s killing was not spontaneous: foreign adversaries and bot networks seized the moment to amplify narratives of American dysfunction, civil war, and conspiracy. For example: over 6,000 mention clusters across official Russian, Chinese and Iranian channels within a week of the event. The U.S. state-level warning was immediate: Utah Governor Spencer Cox said “We have bots from Russia, China, all over the world that are trying to instill disinformation and encourage violence.” One article summarizes: “America’s adversaries have long used fake social media accounts, online bots and disinformation to depict the US as a dangerous country beset with extremism and gun violence.” The mechanics? Bot and troll networks inserted themselves into the conversation when the topic was searing. This was a breaking news dynamic. The news had not yet fully solidified, facts were still emerging. In that void, false claims proliferated: about who the shooter was, their motive, links to Ukraine, Israel, trans-ideology, etc. These narratives served broader purpose: to stoke domestic divisions, diminish trust in institutions, and disrupt public discourse at a moment of crisis. Why This Matters for STORYSMART® Practitioners For storytellers, consultants, brand strategists and communicators working in a high-noise online world, this dual trend — manufactured outrage + influence operations — poses multiple red flags and opportunities. 1. Perception vs. reality. Just because an online backlash looks huge does not mean it’s genuine. The data from Cracker Barrel shows how nearly half the early posts were automated. Without discerning bots from humans, brands or agencies may mis-read audience sentiment and mistake a manufactured wave for real consumer demand. 2. Narrative acceleration. In the age of bots + algorithms, once a narrative is injected it can spread from inauthentic accounts to real humans to media headlines — creating feedback loops that feel authentic but are engineered. That acceleration can force brand decisions (reversals, halts) under pressure. Cracker Barrel reversed its logo and remodel plans within weeks. 3. The wild field of breaking news. Big, fast news events (Kirk’s killing, natural disasters, etc.) are ripe targets for influence campaigns. Facts are incomplete; emotions are high; bots can fill the vacuum. If you’re communicating after such an event — whether as a journalistic storyteller, brand communicator or community-manager — you must assume noise is amplified, manipulated, and multi-layered. 4. Trust and narrative ownership. If 21 % of the profiles attacking a brand were fake (as with Cracker Barrel), then the “public opinion” you see may not be public at all but engineered. For storytellers using social listening data, this demands scrutiny: Which voices are real? Which are bots? The narrative you amplify might be the product of manipulation. 5. Media literacy and storytelling ethics. As a STORYSMART® framework practitioner, this is a perfect teaching moment. Your audiences (clients, teams, communities) need to know not just how to create stories, but how to see through manufactured ones. Because the cost of mis-reading the field is high: brand equity, public trust, even stock value can be sucked into the vortex. Key Signals: How to Spot Manufactured Outrage Here are some warning signs to watch for: A sudden spike in volume from accounts with little profile history (new accounts, no followers, generic avatars). Identical talking points repeated across multiple posts in short time. For example: #BoycottBrandX, #BrandXIsFinished. (Cyabra found this in the Cracker Barrel case.) The narrative pivots quickly from a product/brand detail (logo change) to culture-war framing (betrayal of tradition, woke agenda, etc.). Geographical spread and targeting: foreign state media or foreign language accounts join the conversation immediately after an event. (As in the Kirk case.) Rapid transition from social media to mainstream media coverage, with headlines referencing “outrage” and “backlash” even though underlying data may be murky What You Should Do Integrate authenticity analysis: Don’t assume all posts are equal. Use tools or manual scans to look for high-volume bot activity before concluding a backlash is real. Delay action until you understand the narrative origin: If a brand feels under attack, pause for five minutes to look at the data — is it genuine critics or orchestrated storm? Frame proactively, truthfully: If you manage the target brand or stakeholder, ensure your communication makes clear what you know, what you don’t know, and how you are listening. Silence or knee-jerk reaction plays into manufactured narratives. Teach your audience/stakeholders: In your STORYSMART® work, build into messaging the idea that not every “viral outrage” is grassroots. That meta-narrative — about how narratives are constructed — becomes part of the story. Monitor ripple effects: As we saw in Cracker Barrel’s case, the manufactured outrage had an actual financial cost. Public trust and brand value aren’t immune. Final Thought In the age of bots, troll farms, programmed outrage and attention-economy weapons, the line between “public sentiment” and “manufactured sentiment” is increasingly blurred. Whether you're working on a family-history documentary, a brand relaunch, or a social media campaign, the same rule applies: the source of the buzz matters. If that buzz has been engineered, you risk mis-reading the narrative, mis-allocating your voice, and playing into someone else’s story. For the STORYSMART® audience, this is a prime example of storytelling in practice: not just what story is told, but how it is seeded, amplified and weaponized. The more we understand the machinery behind the outrage, the better we can shape stories that are genuine, strategic, and resistant to manipulation.
By Ron Watermon October 21, 2025
When Deadline first reported that Bruce Springsteen’s Deliver Me From Nowhere was headed for the screen, I expected it would be more than another typical music biopic because it was based on a book that focused on a sliver of Springsteen’s life. That “sliver” was a singular defining period of Springsteen’s life. When I wrote my book, I took note of the fact that when Hollywood came calling, they first reached out to Warren Zanes who wrote the book and not Springsteen himself. I was trying to make the point about the importance of securing storytelling source material. The real work in telling a story is that of the author. Writing a great story isn’t easy. When it happens, someone in Hollywood is bound to notice. What I didn’t fully appreciate until now is that Springsteen’s story to screen journey is a masterclass in focus — a case study in how a single defining period, a writer who truly understands his subject, and a team of champions can move a story from the page to the screen in record time. Zane’s book was published 2023. A little more than two years later, the film is being released. That is amazing in of itself, but the approach to the story told is also instructive. Most people think you need your whole life story to make a film. Springsteen — and Warren Zanes — show us you don’t. It can be a sliver. The story behind this storytelling is a Boss lesson in storytelling that help you deliver your story from nowhere. 
By Ron Watermon October 13, 2025
Your Clear Eyes, Full Rights, Can't Lose Playbook.  If you’ve ever watched Friday Night Lights, you know the phrase: Clear eyes, full hearts, can’t lose. It’s the mantra Coach Taylor preached to his team. But when I look at the 35-year storytelling journey of Friday Night Lights—from a reporter’s notebook to a bestselling book, then a film, a beloved series, and now talk of a reboot—I see a slightly different mantra: Clear eyes, full rights, can’t lose. Because underneath the inspirational football story is a lesson we can draw from in how one journalist’s immersive reporting became a durable, multi-platform franchise. And for me, it’s a perfect demonstration of a pathway we advocate for at STORYSMART®. It all starts with investing in good clear-eyed journalism. It is the single most important investment you can make in developing a true story. When you take control of your source material to tell a true story and develop your story properly, your story can live on for years far beyond the page. I’m a big proponent for adopting a story franchise mindset when approaching storytelling projects. That is why I tell clients to think like a studio executive by adopting a media mogul mindset. When you open your mind to that, it opens the doors of possibilities. The storytelling journey of Friday Night Lights helps illustrate what is possible, as well as offer other lessons on what to do and not do in designing your own professional storytelling path. How a reporter’s notebook became a franchise In 1990, journalist Buzz Bissinger published Friday Night Lights: A Town, a Team, and a Dream. It wasn’t just another sports book. He moved his family to Texas to immerse himself in this story. Bissinger spent a year in Odessa, Texas, embedded with the Permian High School Panthers, capturing the obsession, pressure, and community identity that revolved around high school football. He conducted hundreds of hours of interviews and built his narrative from a deep archive of source material. Every interview he conducted is his work product, what I often refer to as copyright protected storytelling source material. Make note of that. That depth of Buzz’s reporting gave the book credibility. It also gave it power as intellectual property. It was a fantastic book that was a hit.
By Ron Watermon October 3, 2025
The NCAA just approved new guidance on NIL (Name, Image, and Likeness) deals — and while the headlines mostly talk about money, what’s really at stake here is storytelling. Starting this past August, athletes have had to disclose NIL agreements over $600. Schools will help monitor and even facilitate opportunities, and standardized contracts are being promoted to protect athletes. Meanwhile, new rules for collectives are meant to stop disguised pay-for-play deals while still allowing legitimate business arrangements. ( Full NCAA release here )​ On the surface, this might sound like dry compliance policy. But here’s the STORYSMART® takeaway: Transparency is power. The clearer your contracts and disclosures, the harder it is for someone else to hijack your story or exploit your image. Standardization levels the playing field. Whether you’re a star quarterback or a swimmer at a smaller program, having clear terms makes it easier to protect your rights. Your story is the real asset. NIL isn’t just about a jersey deal or an autograph session. It’s about controlling your narrative — the way your life, your legacy, and your values are presented to the world. ​ This guidance is another reminder that athletes — like families, public figures, and estates — need to see their story as intellectual property. The athletes who win aren’t just the ones who score on the field; they’re the ones who invest in how their story is told off the field. ​ STORYSMART® Rule of Thumb: Don’t just cash a check. Build a story that grows in value over time.
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July 22, 2025, St. Louis, MO - There’s a line in Jerry Maguire that has always stuck with me. Young Ray asks his mom, “What’s wrong, Mom?” And she replies: “ First class is what’s wrong, honey. It used to be a better meal. Now it’s a better life. ” That line hits hard. Because access—access to opportunity, tools, and professionals—changes everything. And when it comes to storytelling, access has long been unequal. For decades, only a small group of insiders had the power to tell stories at the highest level. If you weren’t already in Hollywood or publishing, your story stayed in coach—often ignored, misrepresented, or lost. I wrote STORYSMART® Storytelling for ALL to change that. This book is a roadmap. It’s designed to give you—whether you’re a public figure, entrepreneur, athlete, or someone with a life story worth telling—the same tools used by insiders. The same strategies that power studios, presidents, billion-dollar production companies, and bestselling memoirs. It’s also deeply personal. I’ve seen too many remarkable true stories disappear because people didn’t know how to protect them—or worse, were taken advantage of. I’ve felt like an outsider myself. And I know what it means to want your story told right. That’s why I developed the STORYSMART® Framework. To empower people with meaningful stories to protect their rights, preserve their vision, and share it with the world—on their own terms. I’m making the Author’s Note from the book available as a free PDF download as part of this post. And if you’ve got 90 seconds, I invite you to watch the short video message from me below. This is your story. Let’s tell it the right way. About The Book In a world hungry for authentic narratives, STORYSMART® Storytelling for ALL™ : How to Take Control, Own Your True Story and Profit Like a Hollywood Insider delivers a rare insider’s guide to turning a true story into a cultural and financial asset while maintaining control. Designed for public figures, entrepreneurs, and individuals with powerful life stories, the book introduces the STORYSMART® Way, a step-by-step framework to organize, preserve, and professionally develop your story for books, film, and television. The book pulls back the curtain on how stories move through publishing, Hollywood, and streaming—and empowers readers to navigate the process like seasoned insiders. Topics include copyright and licensing, collaborating with elite-level professional filmmakers and ghostwriters, developing a pitch-ready treatment, and monetizing true stories through publishing, streaming, and merchandising. STORYSMART Storytelling for ALL is available currently as both a paperback and e-book. It will be available soon be in hardcover and audiobook formats. About the Author Ron Watermon is the founder of STORYSMART®, a cinematic storytelling consulting service and story development film studio. A lawyer, filmmaker, and Emmy-nominated television producer and writer, Ron’s led strategic communications for an MLB team, advised high-profile clients, and has produced both film and television productions. Ron lives in St. Louis with his family. Learn more about Ron at storysmart.net and ronwatermon.com #STORYSMART #StorytellingForAll #NewBook #MediaRights #TrueStories #BookLaunch
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